Book Clubs

English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.

But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.

All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.

Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.

"For a thousand years, the people of Alera have united against the agressive and threatening races that inhabit the world, using their unique bonds with the furies--elementals of earth, air, fire, water, wood, and metal. But in the remote Calderon Valley, the boy Tavi struggles with his lack of furycrafting. At fifteen, he has no wind fury to help him fly, no fire fury to light his lamps. Yet as the Alerans' most savage enemy--the Marat horde--returns to the Valley, Tavi's courage and resourcefulness will be a power greater than any fury, one that could turn the tides of war"--Back cover.

Ralph Delchard, a soldier who fought at the Battle of Hastings, and Gervase Bret, a talented lawyer, have been commissioned by William the Conqueror to look into irregularities brought to light during the compilation of the Domesday Book, the great survey of England. Their investigations take them throughout the kingdom, but the pair often find themselves embroiled in more sinister mysteries in the towns they visit. The King's work is a dangerous business. 
The small village of Maldon is controlled by the wealthy and rapacious Fitzcorbucion family. When the eldest son, Guy, is found murdered, his father demands justice and will stop at nothing to get it. Ralph Delchard and Gervase Bret arrive into a charged atmosphere and are entangled in a case far more dangerous than their original task.

DCI David Brock and DI Kathy Kolla, of Scotland Yard, find themselves pulled into a case of murder, a mysterious death among the houseboats that line the canals around greater London, in Barry Maitland's The Raven's Eye.

DI Kathy Kolla of Scotland Yard is called in as a matter of course by the local Paddington police when a woman turns up dead in what appears to be an accident. On her houseboat, Vicky Hawks is found by one of her neighbors having apparently succumbed to carbon monoxide poisoning due to improper ventilation of the narrowboat's heating system. But while the cause of death seems apparent and there's no reason for Kolla to think otherwise, something about this death still bothers her.

Meanwhile, her boss, DCI Brock, is wrestling with harsh budget cuts and a new Commander who is determined to make fundamental changes to the system—including limiting resources devoted to investigations. Struggling against the limitations imposed by the new order at Scotland Yard, Brock and Kolla find themselves pulling at the loose strings in the death of Vicky Hawks, trying to find out who she really was, what she was up to, and how her death might be related to another earlier tragic accidental death.

Once there was a Postman who fell in love with a Raven.
So begins the tale of a postman who encounters a fledgling raven while on the edge of his route and decides to bring her home. The unlikely couple falls in love and conceives a child--an extraordinary raven girl trapped in a human body. The raven girl feels imprisoned by her arms and legs and covets wings and the ability to fly. Betwixt and between, she reluctantly grows into a young woman, until one day she meets an unorthodox doctor who is willing to change her.
One of the world's most beloved storytellers has crafted a dark fairy tale full of wonderment and longing. Complete with Audrey Niffenegger's bewitching etchings and paintings, Raven Girl explores the bounds of transformation and possibility.

 

Gods meddle in the fates of men, men play with the fates of gods, and a pretender must be cast down from the throne in this masterful first fantasy novel from Ann Leckie, New York Times bestselling author and winner of the Hugo, Nebula, and Arthur C. Clarke Awards.
"It's a delight to read something so different, so wonderful and strange."-Patrick Rothfuss
"Absolutely wonderful...utterly brilliant."-The New York Times Book Review 
For centuries, the kingdom of Iraden has been protected by the god known as the Raven. 
He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained by the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes.
But the Raven's tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.
 

We bear the sword, and we bear the pain of the sword.

On Kupala Night, Dymitr arrives in Chicago’s monstrous, magical underworld with a perilous mission: pick the mythical fern flower and offer it to a cursed creature in exchange for help finding the legendary witch Baba Jaga.

Ala is a fear-eating zmora afflicted with a bloodline curse that’s slowly killing her. She's just desperate enough to say yes to Dymitr, even if she doesn’t know his motives. 

Over the course of one night, Ala and Dymitr risk life and limb in search of Baba Jaga, and begin to build a tentative friendship. . . but when Ala finds out what Dymitr is hiding, it could destroy them both.

"Lovely, lush, and full of otherworldly longing, this modern fairytale about righteousness and the weight we bear for love is Roth at her most imaginative and ethereal."—Olivie Blake, New York Times bestselling author of The Atlas Six

Once upon an apocalypse, there lived an obscenely handsome American crow named S.T. . . .
 
When the world last checked-in with its favorite Cheeto addict, the planet had been overrun by flesh-hungry beasts, and nature had started re-claiming her territory from humankind. S.T., the intrepid crow, alongside his bloodhound-bestie Dennis, had set about saving pets that had become trapped in their homes after humanity went the way of the dodo.
 
That is, dear reader, until S.T. stumbled upon something so rare—and so precious—that he vowed to do everything in his power to safeguard what could, quite literally, be humanity's last hope for survival. But in a wild world plagued by prejudiced animals, feather-raising environments, new threats so terrifying they make zombies look like baby bunnies, and a horrendous dearth of cheesy snacks, what's a crow to do?
 
Why, wing it on another big-hearted, death-defying adventure, that's what! Joined by a fabulous new cast of animal characters, S.T. faces many new challenges plus his biggest one yet: parenthood.

Includes a Reading Group Guide.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons--from a crow spied on New Year's Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring--what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.

Along the way, we also glimpse the changing rhythms of a human life. Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author--and from us. For, as Renkl writes, "radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world."

With fifty-two original color artworks by the author's brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.

"The Secret Life of Pets meets The Walking Dead" in this big-hearted, boundlessly beautiful romp through the Apocalypse and the world that comes after, where a foul-mouthed crow is humanity's only chance to survive Seattle's zombie problem. (Karen Joy Fowler, PEN/Faulkner Award-winning author of We Are All Completely Beside Ourselves) 

S.T., a domesticated crow, is a bird of simple pleasures: hanging out with his owner Big Jim, trading insults with Seattle's wild crows (i.e. "those idiots"), and enjoying the finest food humankind has to offer: Cheetos ®.

But when Big Jim's eyeball falls out of his head, S.T. starts to think something's not quite right. His tried-and-true remedies -- from beak-delivered beer to the slobbering affection of Big Jim's loyal but dim-witted dog, Dennis -- fail to cure Big Jim's debilitating malady. S.T. is left with no choice but to abandon his old life and venture out into a wild and frightening new world with his trusty steed Dennis, where he suddenly discovers that the neighbors are devouring one other. Local wildlife is abuzz with rumors of Seattle's dangerous new predators.

Humanity's extinction has seemingly arrived, and the only one determined to save it is a cowardly crow whose only knowledge of the world comes from TV. 
What could possibly go wrong?

 

THE BOOK BEHIND THE FOURTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES

Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin's monumental epic cycle of high fantasy. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction.

A FEAST FOR CROWS

It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King's Landing. Robb Stark's demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist--or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.

But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces--some familiar, others only just appearing--are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.

It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes . . . and their lives. For at a feast for crows, many are the guests--but only a few are the survivors.

Influenced by the mysterious place gingerbread holds in classic children's stories, beloved novelist Helen Oyeyemi invites readers into a delightful tale of a surprising family legacy, in which the inheritance is a recipe.

Perdita Lee may appear to be your average British schoolgirl; Harriet Lee may seem just a working mother trying to penetrate the school social hierarchy; but there are signs that they might not be as normal as they think they are. For one thing, they share a gold-painted, seventh-floor walk-up apartment with some surprisingly verbal vegetation. And then there's the gingerbread they make. Londoners may find themselves able to take or leave it, but it's very popular in Druhástrana, the far-away (or, according to many sources, non-existent) land of Harriet Lee's early youth. The world's truest lover of the Lee family gingerbread, however, is Harriet's charismatic childhood friend Gretel Kercheval --a figure who seems to have had a hand in everything (good or bad) that has happened to Harriet since they met.

Decades later, when teenaged Perdita sets out to find her mother's long-lost friend, it prompts a new telling of Harriet's story. As the book follows the Lees through encounters with jealousy, ambition, family grudges, work, wealth, and real estate, gingerbread seems to be the one thing that reliably holds a constant value. Endlessly surprising and satisfying, written with Helen Oyeyemi's inimitable style and imagination, it is a true feast for the reader.

I am a Weyward, and wild inside.

2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great-aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she suspects that her great-aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.

1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. When Altha was a girl, her mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence of witchcraft is laid out against Altha, she knows it will take all her powers to maintain her freedom.

1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an astonishing debut, and an enthralling novel of female resilience.

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.

In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.

Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.