Book Clubs

Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems.

In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.”

In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.

* WINNER of the NAACP Image Award for Outstanding Literary Work *

Alice Walker, author of the National Book Award and Pulitzer Prize-winning The Color Purple—“an American novel of permanent importance” (San Francisco Chronicle)—crafts a bilingual collection that is both playfully imaginative and intensely moving.

Presented in both English and Spanish, Alice Walker shares a timely collection of nearly seventy works of passionate and powerful poetry that bears witness to our troubled times, while also chronicling a life well-lived. From poems of painful self-inquiry, to celebrating the simple beauty of baking frittatas, Walker offers us a window into her magical, at times difficult, and liberating world of activism, love, hope and, above all, gratitude. Whether she’s urging us to preserve an urban paradise or behold the delicate necessity of beauty to the spirit, Walker encourages us to honor the divine that lives inside all of us and brings her legendary free verse to the page once again, demonstrating that she remains a revolutionary poet and an inspiration to generations of fans.

Sylvia Plath's famous collection, as she intended it.

When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript -- including handwritten notes -- and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

The instant #1 New York Times, Wall Street Journal, and USA Today bestseller

The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.

John Keats died in penury and relative obscurity in 1821, at the young age of 26. He is now seen as one of the greatest English poets and a genius of the Romantic age. This collection, which contains all his most memorable works, is a feast for the senses, displaying Keats' gift for gorgeous imagery and sensuous language, his passionate devotion to beauty, as well as some of the most beautiful and moving love poetry ever written.

THE NEW YORK TIMES BESTSELLER

“Heartbreaking…Go read the book, everyone.” —Alex Cooper, host of the Call Her Daddy podcast

Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than seventy poems Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process.

“These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I’ve spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what’s been buried, but not forgotten, in the darkness,” says Fox. 

Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive books you’ll read all year.

"A gorgeous collection. . . . These poems unplug from TV and social media and the outrage of the moment and turn our attention to the immediate and the everlasting, human intimacy and the power and mystery of nature." --Tampa Bay Times

In this intimate collection, Barbara Kingsolver, beloved author of The Poisonwood Bible and the Pulitzer Prize-winning Demon Copperhead, and recipient of numerous literary awards including the National Book Foundation's Medal for Distinguish Contribution to American Letters, trains her eye on the everyday and the metaphysical in poems that are beautifully crafted, emotionally rich, and luminous

In her second poetry collection, Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with "how to" poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins. Closing the book are poems that celebrate natural wonders--birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees--all speaking to the daring project of belonging to an untamed world beyond ourselves.

Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It's all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

Publishers Weekly's Top Ten Fall 2024 Poetry Books

From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 curated by award winning poet and National Book Award finalist, Danez Smith. Hanif Abdurraqib calls the collection of polished poems and raw, unfinished, works-in-progress, "a gift to any poet working at any stage of their life and career." 

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was an eighteen-year-old on a train to Mexico City, seeking funds to pursue his passion. Beloved verses like "The Negro Speaks of Rivers," were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a collection of select early works, all written before the age of twenty-five, in which we see Langston Hughes with fresh eyes. 

From the intimate pages of his handwritten journals, you will travel with Hughes outside of Harlem as he travels the world, celebrate love as a tool of liberation, and enjoy his musical verse poetry, including a play he cowrote with Duke Ellington with a full score. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come. And by keeping his original, handwritten notations found in archival material, we get to witness a genius's earliest thought process in real time. National Book Award-nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions contained in Hughes's early work. 

The fourth of five new books of unpublished poems from the late, great, Charles Bukowski, America's most imitated and influential poet.

Recent features in The New Yorker and on NPR's "Morning Edition" have proven that interest in Bukowski and his works is ever present.

Charles Bukowski is considered the original.

Praise for Bukowski:

"Wordsworth, Whitman, William Carlos Williams and The Beats in their respective generations moved poetry toward a more natural language. Bukowski moved it a little farther." –– LA Times Book Review, 1994

Since its debut, milk and honey has sold more than 6 million copies globally, becoming the highest-selling book of poetry in the 21st century and propelling Rupi Kaur into the stratosphere as the voice of a generation. milk and honey has taken millions of readers on a shared journey through life's most emotional moments, reminding us along the way that there is sweetness everywhere, if only we are willing to look.

An astonishing collection about interconnectedness--between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

"I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?

With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive."